lepoinconneurdeslilas:

Claire Denis at the photocall for Les salauds at the 2013 Cannes Film Festival

(via kurtwalker)

mythologyofblue:

Tacita Dean

+

(lafarandole)

(via davidhudson)

opticalecho:

A while ago I went to the seaside for three days and made a film called Sea Eggs. No one can do that, it’s not only a matter of intelligence or belief but also because no one has the courage to make a film that has no use. I had a hard time making this short film and if you ask me where I can…

Interview can be found here

Short Term 12 - Destin Daniel Cretton (2013)

fuckyeahdirectors:

Park Chan Wook with cast and crew on the set of Thirst

davidhudson:

“Taste can’t help you understand what art can be.”

Duchamp.

Best of my Love - Joslyn (the cinema @ 1’ 34”) Jensen 

A tap dance by Harmony Korine - Jonas Mekas (circa 2001 - uploaded 2011)

Found here at The Notebook: Mubi

Very Nice, Very Nice - Arthur Lipsett (1961)

Arthur Lipsett’s first film looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing.

Production : National Film Board of Canada (nfb.ca)

found here: https://twitter.com/msicism

Cabrera Bernal uses the moving image as the primary matter of a sculpture made out of metrics and rhythm. The filmstrip is an object, built with found celluloid in which the figurative motifs of the footage transcend banality, disappearing into abstraction by the grace of length and repetition.

Mubi: Filmic Sculpture, Num. 3 - Alberto Cabrera Bernal (2012)

David Bowie + Denis Levant + Leos Carax + silver piles of smiles

My graduation film, a short doc about a Polish school in Galway Ireland, will be screening in the IFI (Dublin, Ireland) for the month of April. Check time and dates HERE

(Entire Film) Five Feet High and Rising - Peter Sollett (2000)

peglegger:

Secret Beyond the Door (1948) by Fritz Lang was just Peglegged

afterthereconciliation:

If We Own the Night seems to build toward a foregone conclusion, that is because predestination is its theme. This is, after all, the story of a black sheep’s inexorable return to the family fold.

“The movie is about fate,” Mr. Gray said. “I laugh when I hear people say it’s predictable. At the…