davidhudson:

Jason Kauzlarich’s Studio Ghibli films as Penguins, via Newmanology.

jahsonic:

Rowing Home. [1] by Winslow Homer (1836–1910)

movieposteroftheday:

US poster for THE COLOR WHEEL (Alex Ross Perry, USA, 2011)

Artist: Anna Bak-Kvapil

Poster source: Carlen Altman

A new film blog based in Dublin, Ireland.

Uncanny Arrival at a Railway Station - Catherine Grant (2012)

-THE RAILWAY CHILDREN (Lionel Jeffries, 1970)

-L’ARRIVEE D’UN TRAIN EN GARE DE LA CIOTAT (Lumière Bros., 1895)

Found here: Film Studies For Free

(Trailer) In Another Country - Hong Sang-soo (2012)

Harry Kernoff - “Winetavern Street, July Morning, Dublin”. (1940)

Over at the Guardian Colm Tóibín writes about the joys of of living alone:

Found here: I want to be alone: the rise and rise of solo living.

No one told me when I was small that I could live like this. No one told me that by the age of 56 I would know all of the gay bars in New York city, most of the Irish ones and a good number of other bars, such as they are, in between. And that I would be content on a Friday and Saturday night at around 10 o’clock merely to feel that those bars were all still there, still full of people calling for more, while all I wanted was to be alone in bed with a book.

No one ever told me that I would be most happy in my life when I modelled myself on a nun who runs her own cloister and is alone in it, not bothered by the chatter of other nuns, or by the demands of reverend mother.

On Saturday I wake at six and relishing the day ahead. I teach on Mondays and Tuesdays; I have to reread a novel for each class and take notes on it. Nothing makes me happier than the thought of this. I often lie there until the seven o’clock news comes on, grinning at the thought of the day ahead.

All day I will read and take notes. The worst-case scenario is that I might need another book, and this involves lot of decision-making and self-consultation. It might end in a five-minute walk to the university library. But normally I go nowhere except to the fridge if I am hungry to see what’s there, or to the sofa to lie down if my back is tired, or to the rocking chair if I feel a need to rock.

Normally there’s not much in the fridge. In the kitchen there is an oven I have never opened. And there are pots and pans whose purpose may be decorative for all I know. But I know where all my notebooks are. They are all over the apartment. That is the best part. I can leave them where I like and no one touches them or wants to put them away anywhere. No one sighs about books and notebooks piled up. All of the notebooks have stories half-written in them, or stray sentences in search of a home, or musings that are none of anyone’s business. If I like, I can go to one of them and add some paragraphs. I don’t have to excuse myself, explain myself, or put on a distracted writer’s look in order to get down to work. Or worry that someone has, in my absence, opened one of my notebooks and found that they don’t like the tone of what is written there.

No one told me when I was small that there would come a time in my life where people would be judged by the quantity and quality of take-out menus for local restaurants. And that I could, without consulting anyone, at any time, make a phone call, order some food, and it would soon arrive at my door.

And then there is music when night falls. I can put on whatever I like, follow dark obsessions without worrying about depressing anyone else, or cheering them up for that matter. There is no one to question my sanity, my taste in music, or say: “That again? Not that again. Did we not hear that yesterday?”

And then there is the small question of alcohol. No one told me when I was a teenager that there would come a time when I would not bother drinking. No one told me that when Saturday night came, I would long to talk to no one and wish to go to bed early, and that my only moment of pure and capricious pleasure would be taking a book to bed that was not for class the next week. Otherwise, my life as a nun is a lesson to others, a pure example of good example. It has its rewards in the morning when I wake in silence with a clear head, ready for more.

Colm Tóibín.

City (Dublin, remembered) - Katie Holten (2007)

ink on paper - 30 x 22 inches

Found here: Katie Holten